Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
Misty CopelandRead
I want the ballet world to be given the respect that it deserves and to be seen by more people - for so many to experience the beauty that I've received from the ballet world.
Interpretation
Misty Copeland advocates for greater visibility and appreciation of ballet as an art form.
In this quote, Misty Copeland expresses her desire for ballet to be recognized and respected by a broader audience. She emphasizes the transformative beauty and joy that ballet has brought to her life and hopes that more people can share in this experience, highlighting the need for inclusivity and appreciation in the arts.
In practice
During a speech advocating for arts funding, one might quote Misty Copeland to emphasize the importance of ballet.
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
Perseverance has always just been something that was in me. And it was a tool that came in very handy as a ballerina.
It's all so surreal, and I'm living my dream. And you know, principal or not, I'm getting to dance all the roles that I've dreamed of doing.
Be strong, be fearless, be beautiful. And believe that anything is possible when you have the right people there to support you.
I say over and over again that I am just standing on the shoulders of so many who have set this path for me, and they may not be seen or recognized or have been given an opportunity to have a voice, but I'm here representing all of those dancers. Dance Theatre of Harlem Virginia Johnson, Tai Jimenez, Lauren Anderson.
It's hard to be the one that stands out when, you know, in a ballet company, you're trying to create unison and uniform when you're in a corps de ballet.
I loved doing 'Pennies from Heaven.' Because you have to understand that I'd been doing comedy for 15 to 20 years, and suddenly along came the opportunity to do this beautiful film. It was so emotional to me. I loved it. I don't think it was a good career move, but I have no regrets about doing it.
I think by shattering it we can create a new form, a new way to look at what is valuable — how we decide what is valuable.
Syncopations are no indication of light or trashy music, and to shy bricks at 'hateful ragtime' no longer passes for musical culture.
Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.
At some point during the filmmaking process, you lose objectivity, and you need the eyes of someone who understands the process and has been in the trenches.
Never apologize for your cooking.
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