Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
Misty CopelandRead
It's hard to be the one that stands out when, you know, in a ballet company, you're trying to create unison and uniform when you're in a corps de ballet.
Interpretation
Standing out as an individual can be challenging in a context that values unity and uniformity.
Misty Copeland reflects on the struggles of individuality within the collective setting of a ballet company. In a corps de ballet, where dancers are expected to move in harmony and create a visual uniformity, the challenge lies in finding ways to express personal artistry without disrupting the overall aesthetic and cohesion of the group.
In practice
This quote can be used in a speech about embracing individuality in the arts.
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
Perseverance has always just been something that was in me. And it was a tool that came in very handy as a ballerina.
It's all so surreal, and I'm living my dream. And you know, principal or not, I'm getting to dance all the roles that I've dreamed of doing.
Be strong, be fearless, be beautiful. And believe that anything is possible when you have the right people there to support you.
I say over and over again that I am just standing on the shoulders of so many who have set this path for me, and they may not be seen or recognized or have been given an opportunity to have a voice, but I'm here representing all of those dancers. Dance Theatre of Harlem Virginia Johnson, Tai Jimenez, Lauren Anderson.
I've always approached my career and my life, you know, one day at a time, as if this was the last day that I'm going, because you never know as an athlete and as a dancer. You never know what can happen today, tomorrow.
Writing is a consequence of having been 'haunted' by material. Why this is, no one knows.
In those days it was either live with music or die with noise, and we chose rather desperately to live.
Try to distill the character of your subject. Understand how he moves, thinks, acts. It's difficult to put into words. Consider each drawing as a problem that did not exist before, and then try to solve that problem to the best of your ability. That i what caricature is all about
I grew up in a family that believed that art should be used as an instrument for social change.
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
I've been writing poems since I was in the Navy - to Rosalynn. I found I could say things in poems that I never could in prose. Deeper, more personal things. I could write a poem about my mother that I could never tell my mother. Or feelings about being on a submarine that I would have been too embarrassed to share with fellow submariners.
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