Women's health is not a niche issue - it impacts everyone in some way. That is why a collective effort to improve awareness and understanding of menstrual hygiene is key to closing the gender health gap.
Shabana AzmiRead
I grew up in a family that believed that art should be used as an instrument for social change.
Interpretation
Art can be a powerful tool for driving social change.
Shabana Azmi's quote highlights the idea that art is not merely a form of personal expression or entertainment, but rather a significant means to influence society and instigate social change. Growing up in a family that valued this perspective suggests that Azmi believes in the transformative power of creativity to challenge norms and inspire collective action.
In practice
In a speech at an art gala, one might quote Azmi to emphasize the importance of artists in society.
Women's health is not a niche issue - it impacts everyone in some way. That is why a collective effort to improve awareness and understanding of menstrual hygiene is key to closing the gender health gap.
We never had money but it was never a problem. The spirit of comradeship, the commitment to gender equality, social justice and a celebration of pluralism and India's composite culture provided the glue that kept us joyous and closely bonded.
My being Muslim is only one part of my identity. But particularly in India and the world over, a concerted effort is being made to diminish all other aspects of identity and only take your religious identity as who you are.
It is accepted the world over that women are an essential part of what makes a society successful, and only through supporting and empowering women can a country truly be strong.
It seems kosher and OK to treat women as objects because the business of cinema is about images and when you have fragmented images of a woman's bosom and her swiveling hip and her twisting navel, it robs the woman of all autonomy and subjects her to the male gaze.
India is a country that lives in several centuries simultaneously, and her people at any given time and place encapsulate all the contradictions that come from being a multi-cultural, multi-religious and multi-lingual society.
It is music that welds spiritual and sensual, that can convey ecstasy free of guilt, faith without dogma, love as homage, and a person at home with nature and the infinite.
Movie actors earn their living and learn their craft through listening and reacting.
My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.
The strange dilemma of the 'ethnic-fiction' writer is that you are supposed to carry a banner for your homeland, be a voice for it, and educate the rest of the world about it, but I think that's far too onerous a burden for any writer to bear.
They didn't dictate to me as to what kind of music that they wanted me to play or what tunes, what musicians that I was going to use. They let me do my thing. That's one reason I stayed there for twenty-eight years.
When you have a reputation for making not only good songs but great albums, that in itself creates added artistic pressure. But, at the end of the day, I guess that pressure is something I welcome.
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