We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
I think we're about ready for a new feeling to enter music. I think that will come from the Arabic world.
Interpretation
This quote suggests a need for new influences in music, specifically from Arabic culture.
Brian Eno suggests that music is due for a transformation, which he believes will be inspired by the rich and diverse sounds of the Arabic world. This reflects the idea that innovation in art often comes from incorporating and embracing different cultural elements.
In practice
Using this quote to introduce a multicultural music festival.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
I'm not a pyrotechnical director; I'm not good with all those innovative things. What I am interested in is how actors can touch the heads and hearts of an audience.
There's an idea that it's hard to be a woman artist. People assume that women have fewer opportunities, less power. But it's not any harder to be a woman artist than to be a male artist. We all take what we are given and use the parts of ourselves that feed the work. We make our way. Photographers, men and women, are particularly lucky. Photography lets you find yourself. It is a passport to people and places and to possibilities.
Occasionally, in times of worry, I've longed to be stylish, but on second thought I say no-just let me be myself-and express rough, yet true things with rough workmanship.
Tina Turner is someone that I admire, because she made her strength feminine and sexy. Marilyn Monroe, because she was a curvy woman. I'm drawn to things that have the same kind of silhouettes as what she wore because our bodies are similar.
There's always been a separation between fashion and what I call my 'deeper' work. Fashion is where I make my living. I'm not knocking it. It's a pleasure to make a living that way. It's pleasure and then there's the deeper pleasure of doing my portraits. It's not important what I consider myself to be, but I consider myself to be a portrait photographer.
When the words come, they are merely empty shells without the music. They live as they are sung, for the words are the body and the music the spirit.
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