We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
Interpretation
The quote reflects on the experimental nature of ambient music and the evolution of music creation with technology.
Brian Eno discusses his early experiences in creating ambient music through the use of synthesizers that produced random pulses. He emphasizes how this process led to music that is ever-evolving and emphasizes the significant impact that computers have had on the ability to fully realize and present such compositions.
In practice
In a presentation about the evolution of music technology, I might quote Eno to illustrate how randomization can lead to creativity.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
The big message of gospel is that you don't have to keep fighting the universe; you can stop, and the universe is quite good to you. There is a loss of ego.
Poetry is a political act because it involves telling the truth.
The music can tell people everything they need to know about being human beings. It's not my information, it's not mine. I didn't make it. I just discovered it.
I wanted my dad to be proud of me, and I fell into acting because there wasn't anything else I could do, and in it I found a discipline that I wanted to keep coming back to, that I love and I learn about every day.
Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special.
All the same it is being said everywhere that I played too softly, or rather, too delicately for people used to the piano-pounding of the artists here.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
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