We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
Interpretation
Ambient music is often underestimated and regarded as simplistic, despite its depth.
In this quote, Brian Eno highlights how ambient music is frequently dismissed as mere 'easy listening.' This perspective underestimates the complexity and emotional depth of the genre, implying that music must always be challenging to engage with, rather than appreciating the subtleties and the experiences it can evoke.
In practice
Using this quote in a music discussion to challenge stereotypes about certain genres.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
The big message of gospel is that you don't have to keep fighting the universe; you can stop, and the universe is quite good to you. There is a loss of ego.
You can go out and find ways to make your own record and get it out there now. If you really want to, you can be heard. Keep things simple. Learn to go out and play solo. That's a really really good thing to learn, if you're a singer-songwriter. Don't be dependent on a band because you may not always be able to afford one.
Punk rock, to me, was always outsiderness. When I first saw large-group-scene punk rock, I was repelled by it, because there were way too many people who agreed with each other.
My father's music gives hope to people and also inspires them to break the bonds of injustice and to be positive in life. I've seen that everywhere I go, especially in poor countries and poor neighborhoods.
Do I love the road? Honestly? No - but it's how I earn my living. I also don't have the blues, like it's some kind of fever. The blues is my job. It's what I do.
With rap, you go in the studio, you make music, you put the music out, then all of a sudden, you're a star: you have a big record on the radio, and you're on stage, and you've never done it before. Let's say your first show is 'Summer Jam,' and you're in front of 60,000 people, and you've never played an arena, ever. You're gonna suck.
This is our bandstand. If you don't want to play, get up off the instrument and leave.
Subscribe for the occasional hand-picked quote. No noise.