Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
Interpretation
The Fender bass was crucial in shaping modern music genres like rock and Motown.
Quincy Jones emphasizes the transformative impact of the Fender bass guitar in the development of modern music, particularly rock and Motown. He suggests that it provided the essential rhythmic foundation that allowed these genres to flourish, highlighting the collaborative nature of musical instruments and their roles in shaping sound.
In practice
During a music history lecture, to illustrate the importance of instruments in genre development.
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
Music in movies is all about dissonance and consonance, tension and release.
When you produce an album, you're dealing with it theatrically. It has to have a structure, and the inner response to that is that the ear loves it.
You can study orchestration, you can study harmony and theory and everything else, but melodies come straight from God.
I got a scholarship to Seattle University and I was writing arrangements for singers and everybody. But the music course was too dry and I really wanted to get away from home.
I tell my kids and I tell proteges, always have humility when you create and grace when you succeed, because it's not about you. You are a terminal for a higher power. As soon as you accept that, you can do it forever.
I don't really look at the charts at all. If anything, I try to out-do what I've done before. I try to make music that I like and I trust my own judgement with what will work with a wider audience. If you compare yourself to the charts, you lose perspective on what you're doing and why you're doing it.
We don't want to be Mick Jagger and the Rolling Stones. That type of thing wasn't what we were after. It was most important for each of us to be equal in input and output - each of us has to pull the same amount, musically, in composition and in every sense of being in the band.
I have sung for Americans of every political persuasion, and I am proud that I never refuse to sing to an audience, no matter what religion or color of their skin, or situation in life.
True country music is honesty, sincerity, and real life to the hilt.
At the point we finished 'Abbey Road,' the game was up. We all accepted that.
Ultimately, to insist that rock criticism be political is first to insist that the humans who make and enjoy music are embroiled in politics whether they like it or not - and whether they know it or not.
Subscribe for the occasional hand-picked quote. No noise.