Music in movies is all about dissonance and consonance, tension and release.
Interpretation
Quincy Jones emphasizes the emotional contrasts in film music that evoke feelings in the audience.
In this quote, Quincy Jones highlights the essential elements of music in films, focusing on the concepts of dissonance and consonance as key tools for creating emotional tension and resolution. He suggests that the interplay of these musical elements is fundamental to crafting the viewer's emotional experience, guiding them through moments of uncertainty and relief.
In practice
In a film discussion, emphasizing how the score enhances emotional scenes.
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
When you produce an album, you're dealing with it theatrically. It has to have a structure, and the inner response to that is that the ear loves it.
You can study orchestration, you can study harmony and theory and everything else, but melodies come straight from God.
I got a scholarship to Seattle University and I was writing arrangements for singers and everybody. But the music course was too dry and I really wanted to get away from home.
I tell my kids and I tell proteges, always have humility when you create and grace when you succeed, because it's not about you. You are a terminal for a higher power. As soon as you accept that, you can do it forever.
I think the attraction of 'American Idol' is about the basic human nature attitude that is, 'We can put you up there. But we can take you down.'
I write for the same reason I breathe - because if I didn't, I would die.
Struggle to sketch the flow that already exists intact in mind.
The value of art is in the observer.
I don't take notes. I don't have any notebooks. I keep on trying to do that because it seems like a very writerly thing to do, but my mind doesn't work that way. I tend to get the idea for a novel in a big splash.
Good improvisers seem telepathic; everything looks pre-arranged, This is because they accept all offers made—which is something no ‘normal’ person would do.
When the writer (or the artist in general) says he has worked without giving any thought to the rules of the process, he simply means he was working without realizing he knew the rules.
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