When you produce an album, you're dealing with it theatrically. It has to have a structure, and the inner response to that is that the ear loves it.
Interpretation
Producing an album involves careful planning and structure, enhancing the listener's experience.
In this quote, Quincy Jones emphasizes the importance of treating album production as a theatrical experience. An album should be constructed with intentionality and artistry, ensuring that each element resonates with the listener, as the human ear naturally appreciates well-structured arrangements.
In practice
In a presentation on music production, I might quote Quincy Jones to highlight the importance of structure.
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
Music in movies is all about dissonance and consonance, tension and release.
You can study orchestration, you can study harmony and theory and everything else, but melodies come straight from God.
I got a scholarship to Seattle University and I was writing arrangements for singers and everybody. But the music course was too dry and I really wanted to get away from home.
I tell my kids and I tell proteges, always have humility when you create and grace when you succeed, because it's not about you. You are a terminal for a higher power. As soon as you accept that, you can do it forever.
I think the attraction of 'American Idol' is about the basic human nature attitude that is, 'We can put you up there. But we can take you down.'
I feel like my job is to look at the world and to report what I see, to write what I see as honestly and directly as I can. I don't want to cut it or make it easy, but be as direct as I can.
I write as if I've lived a lot of things I haven't lived.
When I write plays, I'm already seeing the shapes on stage, of the actors and their interaction, and so on and so forth. I don't think I've ever written one play as an abstract piece, as a literary piece, floating in the air somewhere, to be flushed out later on.
It's going to take a while before we see a real shift in the students and the dancers that are going into professional companies because it takes so many years of training, but I do think that there's a new crop of dancers, of minority dancers that are entering into the ballet world.
I think no woman I have had ever gave me so sweet a moment, or at so light a price, as the moment I owe to a newly heard musical phrase.
Now I really make the little idea from clay, and I hold it in my hand. I can turn it, look at it from underneath, see it from one view, hold it against the sky, imagine it any size I like, and really be in control almost like God creating something.
Subscribe for the occasional hand-picked quote. No noise.