Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
Misty CopelandRead
It's going to take a while before we see a real shift in the students and the dancers that are going into professional companies because it takes so many years of training, but I do think that there's a new crop of dancers, of minority dancers that are entering into the ballet world.
Interpretation
Real change in the ballet world requires years of training and commitment from emerging minority dancers.
Misty Copeland highlights the long-term nature of progress in the ballet industry, particularly regarding the inclusion and representation of minority dancers. She acknowledges that while it will take time and rigorous training for these dancers to establish themselves in professional companies, there is a hopeful emergence of new talent that promises to diversify the world of ballet.
In practice
This quote could be used in a speech about diversity in the arts at a dance school.
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
Perseverance has always just been something that was in me. And it was a tool that came in very handy as a ballerina.
It's all so surreal, and I'm living my dream. And you know, principal or not, I'm getting to dance all the roles that I've dreamed of doing.
Be strong, be fearless, be beautiful. And believe that anything is possible when you have the right people there to support you.
I say over and over again that I am just standing on the shoulders of so many who have set this path for me, and they may not be seen or recognized or have been given an opportunity to have a voice, but I'm here representing all of those dancers. Dance Theatre of Harlem Virginia Johnson, Tai Jimenez, Lauren Anderson.
It's hard to be the one that stands out when, you know, in a ballet company, you're trying to create unison and uniform when you're in a corps de ballet.
When I made my first film, I think the thing was probably helped me the most was that it was such an unusual thing to do in the early 50s for someone who actually go and make a film. People thought it was impossible. It really is terribly easy. All anybody needs is a camera, a tape recorder, and some imagination.
Art-making is not about telling the truth but making the truth felt
I don't watch my own films very often. I become so jittery and ready to cry... and miserable. I think it's awful.
When the audience comes in, it changes the temperature of what you've written.
I do not believe in adding enrichment merely for the sake of enrichment. Unless it adds clearness to the enunciation of the theme, it is undesirable, for it is very little understood.
The glory of a good tale is that it is limitless and fluid; a good tale belongs to each reader in its own particular way.
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