I'd rather have two good friends, than 500,000 admirers.
E. E. CummingsRead
If you like my poems let them _x000D_ walk in the evening, a little behind you
Interpretation
This quote expresses a desire for one's creative work to have a presence and a life of its own, subtly accompanying the audience.
E. E. Cummings' quote suggests that the poet hopes his poems will accompany his readers, enhancing their experiences. By comparing the poems to a companion walking behind, it implies that art can resonate deeply with individuals, shaping their thoughts and emotions without overtly demanding attention.
In practice
During a poetry reading, I might share this quote to illustrate how impactful poetry can be in our daily lives.
I'd rather have two good friends, than 500,000 admirers.
I'd rather learn from one bird how to sing than to teach ten thousand stars how not to dance.
It takes courage to grow up and become who you really are.
When god decided to invent everything he took one reath bigger than a circustent and everything began
The Artist is no other than he who unlearns what he has learned, in order to know himself.
Nobody else can be alive for you; nor can you be alive for anybody else.
When I land in a country and they ask for 'occupation,' I always just put 'artist.' I think that covers all of it.
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.
We must infuse our lives with art. Our national leaders must be informed that we want them to use our taxes to support street theatre in order to oppose street gangs. We should have a well-supported regional theatre in order to oppose regionalism and.
So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown.
I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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