Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael OndaatjeRead
You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else.
Interpretation
This quote emphasizes the value of expressing oneself through the interpretations and perspectives of others.
Michael Ondaatje suggests that true expression often comes not just from a solitary voice, but rather through the lens of others' experiences and insights. When we allow ourselves to connect with and convey our thoughts through the narratives and voices of others, we can enrich our own identity and creativity, leading to a deeper understanding and resonance.
In practice
During a writing workshop, a participant could use this quote to discuss the importance of collaboration in creative writing.
Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.
Water is the exile, carried back in cans and flasks, the ghost between your hands and your mouth.
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
A man in a desert can hold absence in his cupped hands, knowing it is something that feeds him more than water.
I have spent weeks in the desert, forgetting to look at the moon, he says, as a married man may spend days never looking into the face of his wife. These are not sins of omission but signs of pre-occuopation.
I'm a fashion designer and people think, what do I know?
Filmmaking is exploring. Why would I want to make a film about something I already understand?
"Dirty Love" wasn't written and directed, it was committed. Here is a film so pitiful, it doesn't rise to the level of badness. It is hopelessly incompetent... I am not certain that anyone involved has ever seen a movie, or knows what one is.
I'm wallowing in the whole idea of just being a guy out there with a band, with songs. It's a real enjoyment.
Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.
All you're trying to do in an improvisation is get as much material as possible for the editing room.
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