Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael OndaatjeRead
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
Interpretation
The quote reflects on the desire for genuine connection and communication beyond superficial interactions.
In this quote by Michael Ondaatje, the speaker addresses Caravaggio, expressing a longing for real dialogue rather than being treated as an object or concept, akin to a book to be read. It highlights the complexity of human relationships and the importance of understanding and vulnerability in communication, suggesting that one feels diminished when reduced to mere imagery or surface-level interactions.
In practice
In a lecture about the importance of communication in art, this quote perfectly illustrates the need for deeper engagement.
Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.
Water is the exile, carried back in cans and flasks, the ghost between your hands and your mouth.
You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else.
A man in a desert can hold absence in his cupped hands, knowing it is something that feeds him more than water.
I have spent weeks in the desert, forgetting to look at the moon, he says, as a married man may spend days never looking into the face of his wife. These are not sins of omission but signs of pre-occuopation.
In journalism, a fact is just a fact. But in fiction, you have to build your case. It has to be made, step by step.
When the first baby laughed for the first time, the laugh broke into a thousand pieces and they all went skipping about, and that was the beginning of fairies.
I'm not afraid of a big studio film; I trust my instincts. But for me, it's not really about box office. It's about looking back on your work and not having to apologize for it.
I like smart movies about smart people, and enjoy it when most of the facts are on the table and we can contemplate them together.
I don't photograph life as it is, but life as I would like it to be.
You gotta have style. It helps you get down the stairs. It helps you get up in the morning. It's a way of life. Without it, you're nobody.
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