To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
Arundhati RoyRead
As she watched him she understood the quality of his beauty. How his labor had shaped him. How the wood he fashioned had fashioned him. Each plank he planed, each nail he drove, each thing he made molded him. Had left its stamp on him. Had given him his strength, his supple grace.
Interpretation
This quote reflects on how a person's work and creativity shape their identity and character.
In this quote, Arundhati Roy emphasizes the deep connection between an artist and their craft. It illustrates how the labor put into creating something beautiful also transforms the creator, enriching their life experience and honing their skills. Each action taken in the creative process leaves a lasting impact, forging a unique identity and contributing to personal strength and grace.
In practice
In a workshop, you might say, 'As Arundhati Roy noted, our work shapes us, reflecting our dedication and skill.'
To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.
When she listened to songs that she loved on the radio, something stirred inside her. A liquid ache spread under her skin, and she walked out of the world like a witch.
Caste is about dividing people up in ways that preclude every form of solidarity, because even in the lowest castes, there are divisions and sub-castes, and everyone's co-opted into the business of this hierarchical, silo-ised society.
When I decided to write 'The God of Small Things', I had been working in cinema. It was almost a decision to downshift from there. I thought that 300 people would read it. But it created a platform of trust.
In California, there are huge problems because of dams. I'm against big dams, per se, because I think that they are economically unfeasible. They're ecologically unsustainable. And they're hugely undemocratic.
To call someone 'anti-American', indeed, to be anti-American, is not just racist, it's a failure of the imagination.
My interest in creating anything is that it be useful.
The ballet needs to tell its own story in such a way it can be received without having to be translated into language.
The content and thematic materials of dance is, of itself, like boxing. You play tennis and baseball. But boxing is not a sport you play: you stand up and do it.
The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you can produce beauty in the context of a figure that has that kind of velvety blackness. It can be done.
At one point, I didn't care. Now I want as many people to hear my music as possible.
Poetry helps me understand who I am. It helps me understand the world around me. But above all, what poetry has taught me is the fact that I need to embrace mystery in order to be completely human.
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