To his dog, every man is Napoleon; hence the constant popularity of dogs.
Aldous HuxleyRead
We tend to think and feel in terms of the art we like; and if the art we like is bad then our thinking and feeling will be bad. And if the thinking and feeling of most of the individuals composing a society is bad, is not that society in danger?
Interpretation
Our preferences in art reflect our thoughts and emotions, influencing society's overall well-being.
Aldous Huxley emphasizes the profound impact that art has on our thinking and feelings, suggesting that if we appreciate bad art, it can lead to negative thoughts and emotions. This raises a crucial concern about society: if the collective taste in art is poor, it could lead to a detrimental state of thought and feeling within the community, ultimately placing the society in jeopardy.
In practice
Mention this quote in a discussion about the role of art in education.
To his dog, every man is Napoleon; hence the constant popularity of dogs.
Facts do not cease to exist because they are ignored.
In the course of history many more people have died for their drink and their dope than have died for their religion or their country.
On no account brood over your wrongdoing. Rolling in the muck is not the best way of getting clean.
No man ever dared to manifest his boredom so insolently as does a Siamese tomcat when he yawns in the face of his amorously importunate wife.
The leech's kiss, the squid's embrace, The prurient ape's defiling touch: And do you like the human race? No, not much.
The main purpose of my work is to provoke people into using their imagination. Most people spend their lives in dreary, grey-beige conformity, mortally afraid of using colours. By experimenting with lighting, colours, textiles and furniture and utilizing the latest technologies, I try to show new ways to encourage people to use their phantasy and make their surroundings more exciting.
If I could be reincarnated as a fashion accessory, it would be a shopping bag.
The war is dreadful. It is the business of the artist to follow it home to the heart of the individual fighters - not to talk in armies and nations and numbers - but to track it home.
If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far.
A poem is a private story, after all, no matter how apparently public. The reader is always overhearing a confession.
History repeats itself, but the special call of an art which has passed away is never reproduced. It is as utterly gone out of the world as the song of a destroyed wild bird.
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