Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Wole SoyinkaRead
When I write plays, I'm already seeing the shapes on stage, of the actors and their interaction, and so on and so forth. I don't think I've ever written one play as an abstract piece, as a literary piece, floating in the air somewhere, to be flushed out later on.
Interpretation
The quote expresses the author's immersive and visual approach to playwriting, emphasizing the importance of staging and character interaction.
Wole Soyinka describes his unique process of playwriting, where he envisions the overall production in its entirety rather than just focusing on the text. For him, each play comes to life through the interactions of actors and the visual elements of the stage, highlighting that the performance is integral to the writing process rather than an afterthought.
In practice
In a theater workshop, one might quote this to emphasize the importance of visualizing a scene before writing it.
Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
A war, with its attendant human suffering, must, when that evil is unavoidable, be made to fragment more than buildings: It must shatter the foundations of thought and re-create. Only in this way does every individual share in the cataclysm and understand the purpose of sacrifice.
Rwanda, which is one of the younger independent states in Africa, must be regarded as a model of how great human trauma can be transformed to commence true reconstruction of people. Human trauma can lead to stunted growth and mass withdrawal.
I have a kind of magnetic attraction to situations of violence.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
Fashion is an imposition, a reign on freedom.
I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.
If you like my poems let them _x000D_ walk in the evening, a little behind you
When people ask me if I went to film school I tell them, 'no, I went to films.'
If artists and poets are unhappy, it is after all because happiness does not interest them.
Whenever I write a novel, music just sort of naturally slips in (much like cats do, I suppose).
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