As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Quentin TarantinoRead
When people ask me if I went to film school I tell them, 'no, I went to films.'
Interpretation
Experiential learning through practical exposure is as valuable as formal education.
Quentin Tarantino's quote emphasizes the importance of real-world experience over traditional educational pathways. He suggests that immersion in the art of film—through watching and analyzing films—can be just as effective, if not more so, than formal training. This perspective highlights the value of self-directed learning and passion in mastering a craft.
In practice
In a talk on creative industries, I quoted Tarantino to emphasize the importance of hands-on experience.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
Making a movie where the central character is a horse was a challenge. Because I'm scared of riding. I was thrown as a kid. One of my daughters is a competitive jumper, we live with horses, we have stables on our property. But I don't ride. I observe, and I worry.
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
I hear the singing of the lives of women. They clear mystery, the offering, and pride.
There is no longer beauty except in the struggle. No more masterpieces without an aggressive character. Poetry must be a violent assault against the unknown forces in order to overcome them and prostrate them before men.
Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.
...the moon that hung over the garden like some great priceless pearl, flawed and blemished with grey shadowy ridges as only a very great beauty can risk being.
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