As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Quentin TarantinoRead
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
Interpretation
Writers are encouraged to embrace honesty and openness in their work.
Quentin Tarantino emphasizes the importance of authenticity in writing, suggesting that a writer's inner voice should prompt them to tell the truth and share personal secrets. This approach not only fosters a genuine connection with the audience but also enriches the storytelling by infusing it with real emotions and experiences.
In practice
In a writing workshop, this quote could inspire participants to explore personal themes.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
If you just love movies enough, you can make a good one.
I was in a queer mood, thinking myself very old: but now I am a woman again - as I always am when I write.
Walks work for me. I enter some arena that is neither conscious or unconscious.
If you're going to play human beings, and you're going to play them three-dimensionally, you have to show every side of them.
The principal role of a logo is to identify, and simplicity is its means... Its effectiveness depends on distinctiveness, visibility, adaptability, memorability, universality, and timelessness.
I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
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