As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Quentin TarantinoRead
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
Interpretation
Writers should have the freedom to create and explore any character authentically.
Quentin Tarantino emphasizes the creative freedom of writers to portray any character they choose, asserting their right to think deeply about these characters and convey their truth. This statement reflects the importance of artistic expression and the responsibility that comes with representing diverse perspectives in storytelling.
In practice
In a speech on creativity at a literary festival.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
If you just love movies enough, you can make a good one.
Colors in painting are as allurements for persuading the eyes, as the sweetness of meter is in poetry.
And often he who has chosen the fate of the artist because he felt himself to be different soon realizes that he can maintain neither his art nor his difference unless he admits that he is like the others. The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from.
[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.
Industry is best at the intersection of science and art.
If a given combination of trees, mountains, water, and houses, say a landscape, is beautiful, it is not so by itself, but because of me, of my favor, of the idea or feeling I attach to it.
We used to make patterns in the dirt, hanging our feet off the horse-drawn farm equipment. We made endless hourglass figures that I now see as the forms within forms in my crocheted wire sculptures.
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