As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Quentin TarantinoRead
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
Interpretation
Writers should have the freedom to create and explore any character authentically.
Quentin Tarantino emphasizes the creative freedom of writers to portray any character they choose, asserting their right to think deeply about these characters and convey their truth. This statement reflects the importance of artistic expression and the responsibility that comes with representing diverse perspectives in storytelling.
In practice
In a speech on creativity at a literary festival.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
If you just love movies enough, you can make a good one.
The urge to make art or contemplate philosophy does not go away when you are sick. Those urges just become transfigured by illness.
I love being able to reach people directly, but in an ideal scenario, I would not have to rush the release of new music… but the message is still there.
I loved writing a book in which, in some ways, it's very, very classical, and in some ways I'm breaking lots of rules about what you can do and what you can't do.
Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.
The book, like the bicycle, is a perfect form.
Which is more musical: a truck passing by a factory or a truck passing by a music school?
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