We say that the world's magnificence has been enriched by a new beauty: the beauty of speed. Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.
Filippo Tommaso MarinettiRead
There is no longer beauty except in the struggle. No more masterpieces without an aggressive character. Poetry must be a violent assault against the unknown forces in order to overcome them and prostrate them before men.
Interpretation
Beauty and mastery come from struggle and confrontation with challenges.
This quote by Filippo Tommaso Marinetti emphasizes the idea that true beauty and artistic masterpieces emerge from the struggle and conflict of creation. It suggests that art should aggressively confront the unknown and challenge existing boundaries, transforming those struggles into something profound and impactful for humanity.
In practice
In an artist's statement during an exhibition, to convey the depth of their work.
We say that the world's magnificence has been enriched by a new beauty: the beauty of speed. Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.
Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread
For years, I've been painting black men as a way to respond to the reality of the streets. I've asked black men to show up in my studio in the clothes that they want to be wearing. And often times, those clothes would be the same trappings people would see on television and find menacing.
Art is the final cunning of the human soul which would rather do anything than face the gods.
Drawing is . . . not an exercise of particular dexterity, but above all a means of expressing intimate feelings and moods.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
I can't work without a model. I won't say I turn my back on nature ruthlessly in order to turn a study into a picture, arranging the colors, enlarging and simplifying; but in the matter of form I am too afraid of departing from the possible and the true.
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