We say that the world's magnificence has been enriched by a new beauty: the beauty of speed. Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.
Filippo Tommaso MarinettiRead
There is no longer beauty except in the struggle. No more masterpieces without an aggressive character. Poetry must be a violent assault against the unknown forces in order to overcome them and prostrate them before men.
Interpretation
Beauty and mastery come from struggle and confrontation with challenges.
This quote by Filippo Tommaso Marinetti emphasizes the idea that true beauty and artistic masterpieces emerge from the struggle and conflict of creation. It suggests that art should aggressively confront the unknown and challenge existing boundaries, transforming those struggles into something profound and impactful for humanity.
In practice
In an artist's statement during an exhibition, to convey the depth of their work.
We say that the world's magnificence has been enriched by a new beauty: the beauty of speed. Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.
New Jersey is the most poetic state: close enough to New York to be urban and cosmopolitan, far enough to be desirous and unsure; densely populated, but full of farms and woods, with the most deer of any state.
Artists who seek perfection in everything are those who can't attain it in anything.
I was pirouette and flourish, I was filigree and flame. How could I count my blessings when I didn't know their names?
In France, in Europe, the young artists of any generation always act as grandsons of some great man - Poussin, for example, or Victor Hugo. They can't help it. Even if they don't believe in that, it gets in their system. And so when they come to produce something of their own, the tradition is nearly indestructible.
Poetry is either something that lives like fire inside you -- like music to the musician or Marxism to the Communist -- or else it is nothing, an empty, formalized bore around which pedants can endlessly drone their notes and explanations.
When I see a story, I ask: is this something I'd like to be in? Is this something I'd like to see? And if I'd like to see it, would I like to tell it?
Subscribe for the occasional hand-picked quote. No noise.