Poetry is not easy. Or should I say, real poetry is not easy.
Robert PinskyRead
New Jersey is the most poetic state: close enough to New York to be urban and cosmopolitan, far enough to be desirous and unsure; densely populated, but full of farms and woods, with the most deer of any state.
Interpretation
The quote reflects the unique and contrasting characteristics of New Jersey, highlighting its blend of urban and natural beauty.
In this quote, Robert Pinsky celebrates New Jersey's dual identity as both an urban and rural state. He points out that its proximity to New York City gives it a cosmopolitan flair, yet it retains an allure of quietness and uncertainty found in its rural landscapes, filled with farms and woods. This contrast evokes a sense of poetic beauty, revealing the complexities of living in a state that encompasses both vibrant city life and serene nature.
In practice
During a presentation about the diverse culture of New Jersey.
Poetry is not easy. Or should I say, real poetry is not easy.
The medium of poetry is a human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is just as physical or bodily an art as dancing.
Poetry is the most bodily of the arts.
Sometimes the ideas that mean the most to you will feel true long before you can quite formulate them or justify them.
For a lot of people, well-meaning teaching has made poetry seem arcane, difficult, a kind of brown-knotting medicine that might be good for you but doesn't taste so good. So I tried to make a collection of poetry that would be fun. And that would bring out poetry as an art, rather than the challenge to say smart things.
'Write' is almost the wrong verb for what I do. I think 'compose' is more accurate because you're trying to make the sounds in your mind and in your voice. So I compose while I'm driving or in the shower.
I'm creating an imaginary — it's always imaginary — world in which I would like to live.
Artists can no more speak about their work, than plants can speak about horticulture.
You should create a work that is so valuable it might eventually sell at a high price, but you've got to concentrate on how you create that artwork.
My weakness has always been to prefer the large intention of an unskilful artist to the trivial intention of an accomplished one: in other words, I am more interested in the high ideas of a feeble executant than in the high execution of a feeble thinker.
The production of a work of art is determined by the material and intellectual climate in which a man lives and dies.
Some actors, I think, want to feel that they are as creative as the writer. And the answer is, frankly, they're not.
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