You should create a work that is so valuable it might eventually sell at a high price, but you've got to concentrate on how you create that artwork.
Interpretation
Focus on the quality and value of your work rather than just its market price.
Yayoi Kusama emphasizes the importance of dedicating oneself to the creation of meaningful and valuable art, suggesting that the true worth of artwork lies in the effort and passion invested in it rather than its eventual financial success. This approach encourages artists to prioritize their creative process and intrinsic value over market trends and profitability.
In practice
In a speech to young artists at a gallery opening.
A polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colourful, senseless and unknowing. Polka-dots can't stay alone; like the communicative life of people, two or three polka-dots become movement... Polka-dots are a way to infinity.
When I was a child, I used to paint intently. The older I become, and the closer death approaches, the brighter my life gets day by day.
The thought of continually eating something like macaroni, spat out by machinery, fills me with fear and revulsion, so I make macaroni sculptures. I make them and make them and then keep on making them, until I bury myself in the process. I call this 'obliteration.'
It doesn't matter at all for me that I work in hospital or anywhere with limited space. Every day, I'm creating new works with all my might.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
Conversation is an art in which a man has all mankind for his competitors, for it is that which all are practising every day while they live.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
I'd love to tell actors about all the things they don't need to worry about. Less is more. If you have it inside, you don't need to show too much. People pick up on things.
The art of tomorrow will be a collective treasure, or it will not be art at all.
A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
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