A superhero is someone who, at some point or in some way, inspires hope or is the enemy of cynicism.
Mark WaidRead
Comics are expensive. Don’t make me resent the money I spend buying yours. Every single moment in your script must either move the story along or demonstrate something important about the characters — preferably both — and every panel that does neither is a sloppy waste of space.
Interpretation
Comics should utilize every moment to enhance the story or character development, as wasted space diminishes the value of the work.
Mark Waid emphasizes the importance of efficiency in comic storytelling. Each moment in a comic, whether through dialogue or visuals, should contribute to advancing the narrative or deepening character insights. Wastefulness in storytelling not only affects the overall impact but also leads to reader dissatisfaction, especially considering the financial investment in comics.
In practice
During a comic writing workshop, this quote can be used to stress the importance of concise and meaningful storytelling.
A superhero is someone who, at some point or in some way, inspires hope or is the enemy of cynicism.
I got taught a lot of great lessons by superhero comics as a kid about virtue and self-sacrifice and responsibility. And those were an important part of imprinting my DNA with ethical and moral values.
By coincidence and not design, 'Everstar' is written and drawn by an all-female creative team, and it makes me smile to think that there may be young female readers out there, future writers and artists, who get to see that comics doesn't have to be a 'boys' club.'
Super-heroes were created to represent the best in all of us. We should aspire to match their nobility, not their ability to shoot big chrome guns.
Know what your characters want, know what they need most, know what they fear most, and don't be fearful of facing it, no matter how unpleasant it may be.
I think there's a moral imperative when you're writing fictional heroes to give characters who somehow give us something to aspire to as opposed to dragging them down to our level.
The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system.
Sashimi is velvet dust, verging on silk, or a bit of both, and the extraordinary alchemy of its gossamer essence allows it to preserve a milky density unknown even by clouds.... my cheeks recalled the effects of its profound caress.
I was never interested in looking at myself in an aesthetic mirror. My intention was always to get away from myself, though I knew perfectly well that I was using myself. Call it a little game between 'I' and 'me.'
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
People are fond of using military terms to describe what they do. We call it bombing when we go out painting, when of course it's more like entertaining the troops in a neutral zone, during peacetime in a country without an army.
I don't start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It's not as if I start with Madhuri Dixit and then think what kind of film.
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