Poetry is not easy. Or should I say, real poetry is not easy.
Robert PinskyRead
The medium of poetry is a human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is just as physical or bodily an art as dancing.
Interpretation
Poetry is fundamentally an expression of the human body and its sounds, akin to dance.
Robert Pinsky highlights the intrinsic connection between poetry and the physicality of the human body. He emphasizes that poetry is not merely an abstract or intellectual endeavor, but rather a performance art that involves the breath, voice, and physical presence of the poet, just as dance utilizes the body to convey emotion and meaning.
In practice
In a poetry reading, I often quote Pinsky to highlight how physical presence influences performance.
Poetry is not easy. Or should I say, real poetry is not easy.
Poetry is the most bodily of the arts.
Sometimes the ideas that mean the most to you will feel true long before you can quite formulate them or justify them.
New Jersey is the most poetic state: close enough to New York to be urban and cosmopolitan, far enough to be desirous and unsure; densely populated, but full of farms and woods, with the most deer of any state.
For a lot of people, well-meaning teaching has made poetry seem arcane, difficult, a kind of brown-knotting medicine that might be good for you but doesn't taste so good. So I tried to make a collection of poetry that would be fun. And that would bring out poetry as an art, rather than the challenge to say smart things.
'Write' is almost the wrong verb for what I do. I think 'compose' is more accurate because you're trying to make the sounds in your mind and in your voice. So I compose while I'm driving or in the shower.
The maker of a sentence launches out into the infinite and builds a road into Chaos and old Night, and is followed by those who hear him with something of wild, creative delight.
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
I sometimes think there is nothing so delightful as drawing.
Landscape photography is the supreme test of the photographer - and often the supreme disappointment.
We learn how to kiss, or to drink, talk to our buddies-all the things that you can't really teach in social studies or history-we all learn them at the movies.
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