An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
In France, in Europe, the young artists of any generation always act as grandsons of some great man - Poussin, for example, or Victor Hugo. They can't help it. Even if they don't believe in that, it gets in their system. And so when they come to produce something of their own, the tradition is nearly indestructible.
Interpretation
Young artists are heavily influenced by the great artists before them, making tradition an unavoidable part of their work.
Marcel Duchamp highlights the idea that emerging artists are inherently shaped by the legacies of their predecessors. Despite their personal beliefs or desires to rebel against tradition, the influence of previous masters like Poussin and Victor Hugo is deeply ingrained in their creative process, thereby creating a continuum of artistic expression that is difficult to break away from.
In practice
During a gallery talk, a curator might use this quote to discuss the importance of artistic lineage.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Art is History's nostalgia, it prefers a thatched roof to a concrete factory, and the huge church above a bleached village.
There has been a time on earth when poets had been young and dead and famous - and were men. But now the poet as the tragic child of grandeur and destiny had changed. The child of genius was a woman, now, and the man was gone.
It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.
When you have a large space to conquer, the curve is the natural solution.
In truth, every creation of the mind is first of all 'poetic' in the proper sense of the word; and inasmuch as there exists an equivalence between the modes of sensibility and intellect, it is the same function that is exercised initially in the enterprises of the poet and the scientist.
As for my voice, it cannot be categorized-and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range. I like so many different kinds of music that I've never allowed myself the limitations of one particular range.
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