A writer's job is to imagine everything so personally that the fiction is as vivid as memories.
John IrvingRead
I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.
Interpretation
A writer must envision the conclusion and tone of their story before starting the creative process.
John Irving emphasizes the importance of knowing the ending of a story before beginning to write. This understanding includes not just the plot's conclusion, but also the emotional atmosphere and the specific language that will be used, highlighting a deep connection between the author's intention and the narrative structure.
In practice
A writing workshop could use this quote to discuss the importance of structure in storytelling.
A writer's job is to imagine everything so personally that the fiction is as vivid as memories.
No one but me ever put a hand on me to feel that baby. No one wanted to put his ear against it and listen...You shouldn't have a baby if there's no one who wants to feel it kick or listen to it move.
It's not very interesting to establish sympathy for people who, on the surface, are instantly sympathetic. I guess I'm always attracted to people who, if their lives were headlines in a newspaper, you might not be very sympathetic about them.
It is an important distinction to note that she looked not only as if she had taken good care of herself, but that she had good reason to have done so. (...) She looked to be in such total possession of her life that only the most confident men could continue to look at her if she looked back at them. Even in bus stations, she was a woman who was stared at only until she looked back.
I am doomed to remember a boy with a wrecked voice. Not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God. I am a Christian because of Owen Meany.
I will tell you what is my overriding perception of the last twenty years: that we are a civilization careening toward a succession of anticlimaxes β toward an infinity of unsatisfying, and disagreeable endings.
[W]hat counts is that one perceives excellence and dares to give it expression, which sounds little but is in fact a great deal.
Perhaps I abandoned criticism because I am full of contradictions, and when you write an essay, you are not supposed to contradict yourself. But in the theater, by inventing various characters, you can. My characters are contradictory not only in their language but in their behavior as well.
From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.
When you're writing a novel, you spend four years sitting in your basement and a year waiting for the book to come out and then you get the feedback. When you do work online, the moment you're finished making it, people start responding to it which is really fun and allows for a kind of community development you just can't have in novels.
I have a way to photograph. You work with space, you have a camera, you have a frame, and then a fraction of a second. It's very instinctive. What you do is a fraction of a second, it's there and it's not there. But in this fraction of a second comes your past, comes your future, comes your relation with people, comes your ideology, comes your hate, comes your love - all together in this fraction of a second, it materializes there.
Without dance, a man can do nothing.
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