At my age the only problem is with remembering names. When I call everyone darling, it has damn all to do with passionately adoring them, but I know I'm safe calling them that. Although, of course, I adore them too.
Richard AttenboroughRead
I'm not a pyrotechnical director; I'm not good with all those innovative things. What I am interested in is how actors can touch the heads and hearts of an audience.
Interpretation
The quote emphasizes the importance of emotional impact in storytelling over technical prowess.
Richard Attenborough distinguishes between technical skills in filmmaking and the emotional connection that actors create with an audience. He suggests that the true power of cinema lies not in flashy techniques, but in the ability of performers to resonate with viewers on a deep, emotional level.
In practice
In a film class, discussing the emotional depth actors bring to their roles.
At my age the only problem is with remembering names. When I call everyone darling, it has damn all to do with passionately adoring them, but I know I'm safe calling them that. Although, of course, I adore them too.
I think it is obscene that we should believe that we are entitled to end somebody's life, no matter what that person has supposedly done or not done.
When I'm directing a movie, nothing else matters.
I never want to make the kind of film whose impact ends when the audience leaves the cinema.
There's nothing more important in making movies than the screenplay.
You act in a movie, and at the end of the day, the director and editor decide what your performance is.
My influences have been what I call my four Bs - the primary one being the blues, then Borges, Baraka, and Bearden.
When I read Toni Morrison and Sandra Cisneros as a freshman at Rutgers, it all clicked - that writing was all I wanted to do. It became my calling.
I do not think writers or anybody would sit down and think they must write about some cause, or theme, or something. If they write about their own experiences, something true is going to emerge.
For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life - the light and the air which vary continually. For me, it is only the surrounding atmosphere which gives subjects their true value.
What I'm fighting for now in my work... for an expression relevant to all manner of blacks, poems I could take into a tavern, into the street, into the halls of a housing project.
The technique of 35mm photography appears simple. One is beguiled by the quick viewing and operation, and by the very questionable inclination to make many pictures with the hope that some will be good.
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