I am a person who continually destroys the possibilities of a future because of the numbers of alternative viewpoints I can focus on the present.
Doris LessingRead
I do not think writers or anybody would sit down and think they must write about some cause, or theme, or something. If they write about their own experiences, something true is going to emerge.
Interpretation
Writers should focus on their personal experiences, as authenticity will lead to true expression.
Doris Lessing emphasizes the importance of drawing from one's own life experiences when writing. She suggests that rather than forcing a particular theme or cause, the most genuine and impactful writing comes from personal truths, allowing the writer's unique perspective to naturally emerge through their work.
In practice
In a writing workshop, to encourage participants to share personal stories.
I am a person who continually destroys the possibilities of a future because of the numbers of alternative viewpoints I can focus on the present.
In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.
Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: 'He/she was born, lived, died.' Probably that is the template of our stories - a beginning, middle, and end. This structure is in our minds.
There is a great line of women stretching out behind you into the past, and you have to seek them out and find them in yourself and be conscious of them.
The World War I, I'm a child of World War I. And I really know about the children of war. Because both my parents were both badly damaged by the war. My father, physically, and both mentally and emotionally. So, I know exactly what it's like to be brought up in an atmosphere of a continual harping on the war.
You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life - the important part of writing is living. You have to live in such a way that your writing emerges from it.
Tea is a work of art and needs a master hand to bring out its noblest qualities. We have good and bad teas, as we have good and bad paintings - generally the latter.
I need to go where people are serious about acting.
You have to imagine you write a show about a sponge and you think that maybe a few people will think it is funny, some college students, but it takes off. It is truly shocking - to the point where it is bizarre.
Beauty is a relation, and the apprehension of it a comparison.
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
The details are details. They make the product. The connections, the connections, the connections. It will in the end be these details that give the product its life.
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