Undoubtedly the stories about them [hard-boiled detectives] had a fantastic element. Such things happened, but not so rapidly, nor to so close-knit a group of people, nor within so narrow a frame of logic. This was inevitable because the demand was for constant action; if you stopped to think you were lost. When in doubt, have a man come through a door with a gun in his hand.
The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture
Interpretation
What this quote means
The creative artist is deeply personal in their perspective, making their art inseparable from their identity.
In this quote, Raymond Chandler reflects on the nature of creativity and the artistic process. He suggests that an artist cannot be understood outside the context of their art; their viewpoint is inherently subjective, shaped by their ego and personal experiences, which colors every aspect of their work. This implies that true understanding of an artist can only occur through engagement with their creations, as they reveal the artist's inner self and personal vision.
Themes
In practice
Example use cases
In a discussion about the role of personal experience in art, this quote emphasizes the inseparability of the artist from their work.
More from Raymond Chandler
All quotes →There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen. You can even get a full glass of beer at a cocktail lounge.
Organized crime is the dirty side of the sharp dollar.
When in doubt, have a man come through the door with a gun in his hand.
The flood of print has turned reading into a process of gulping rather than savoring.
If my books had been any worse, I should not have been invited to Hollywood, and if they had been any better, I should not have come.
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I often use the same harmonies as pop music because the complexity of what I do is elsewhere.
Not since the Lord himself showed his stuff to Ezekiel in the valley of dry bones had anyone brought such grace and skill to the reconstruction of animals from disarticulated skeletons. Charles R. Knight, most celebrated of artists in the reanimation of fossils, painted all the canonical figures of dinosaurs that fire our fear and imagination to this day.
I often conduct an orchestra in my sleep; my orchestras are so huge that the back desks of the violas vanish into the horizon. And everything is so wonderful.
You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
All the dancer's gestures are signs of things, and the dance called rational, because it aptly signifies and displays something over and above the pleasure of the senses.
People ask me, 'Why are you still writing books?' Like I'm still only writing to make money and as soon as I have enough I'll quit and go fishing? I like to write books. It's the most satisfying thing I do.