The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture
Interpretation
The creative artist is deeply personal in their perspective, making their art inseparable from their identity.
In this quote, Raymond Chandler reflects on the nature of creativity and the artistic process. He suggests that an artist cannot be understood outside the context of their art; their viewpoint is inherently subjective, shaped by their ego and personal experiences, which colors every aspect of their work. This implies that true understanding of an artist can only occur through engagement with their creations, as they reveal the artist's inner self and personal vision.
In practice
In a discussion about the role of personal experience in art, this quote emphasizes the inseparability of the artist from their work.
Undoubtedly the stories about them [hard-boiled detectives] had a fantastic element. Such things happened, but not so rapidly, nor to so close-knit a group of people, nor within so narrow a frame of logic. This was inevitable because the demand was for constant action; if you stopped to think you were lost. When in doubt, have a man come through a door with a gun in his hand.
There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen. You can even get a full glass of beer at a cocktail lounge.
Organized crime is the dirty side of the sharp dollar.
When in doubt, have a man come through the door with a gun in his hand.
The flood of print has turned reading into a process of gulping rather than savoring.
If my books had been any worse, I should not have been invited to Hollywood, and if they had been any better, I should not have come.
See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.
Elegance has nothing to do with fashion.
The supreme question about a work of art is out of how deep a life does it spring. Paintings of Moreau are paintings of ideas. The deepest poetry of Shelley, the words of Hamlet bring our mind into contact with the eternal wisdom; Plato's world of ideas. All the rest is the speculation of schoolboys for schoolboys.
His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.
I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. ... I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses. ... And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.
The painter must enclose himself within his work; he must respond not with words, but with paintings.
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