His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.
Interpretation
This quote describes an intricate and surreal vision that blends elements of nature and technology.
William Gibson's quote evokes a vivid and imaginative scene where the fusion of organic and mechanical elements is portrayed through the metaphor of 'eyes' as 'eggs of unstable crystal.' The imagery suggests a fragility and complexity in perception, reflecting the author's themes of a cybernetic world where nature and technology intertwine, and the sensory experiences are layered and multifaceted, akin to a dream or a surreal landscape.
In practice
In a discussion about the intersection of technology and nature in modern literature.
She knows, now, absolutely, hearing the white noise that is London, that Damien's theory of jet lag is correct: that her mortal soul is leagues behind her, being reeled in on some ghostly umbilical down the vanished wake of the plane that brought her here, hundreds of thousands of feet above the Atlantic. Souls can't move that quickly, and are left behind, and must be awaited, upon arrival, like lost luggage.
If you've read a lot of vintage science fiction, as I have at one time or another in my life, you can't help but realise how wrong we get it. I have gotten it wrong more times than I've gotten it right. But I knew that when I started; I knew that before I wrote a word of science fiction.
I think I'd probably tell you that it's easier to desire and pursue the attention of tens of millions of total strangers than it is to accept the love and loyalty of the people closest to us.
As a writer of fiction who deals with technology, I necessarily deal with the history of technology and the history of technologically induced social change. I roam up and down it in a kind of special way because I roam down it into history, which is invariably itself a speculative affair.
I don't have to write about the future. For most people, the present is enough like the future to be pretty scary.
I think that technologies are morally neutral until we apply them. It's only when we use them for good or for evil that they become good or evil.
On those who overanalyze his music: When you tear the wings off a butterfly, it is no longer a butterfly
It's difficult because nothing's preordained by plan and you can't control it. That's one of those joys and thrills and nerve-racking realities of being an actor. A lot has to do with luck, no matter what your talent or contribution can be.
I think bridges have a special meaning in our life. I think a book is a bridge. Any type of art is a bridge that allows different cultures to connect. You may not understand your neighbour's way of seeing life, but you sure understand your neighbour's joy in painting or dancing.
Good directors don't answer questions with their work. They generate debate and create discussion.
MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.
Ah, well, do I wish that we lived in a world where gender didn't figure so prominently? Of course. Do I even think about myself as a woman when I go to make art? Of course not.
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