At my age the only problem is with remembering names. When I call everyone darling, it has damn all to do with passionately adoring them, but I know I'm safe calling them that. Although, of course, I adore them too.
Richard AttenboroughRead
When I'm directing a movie, nothing else matters.
Interpretation
The quote expresses a deep commitment and singular focus that comes with directing a film.
Richard Attenborough highlights the intensity of his dedication to filmmaking, suggesting that while he is in the creative process of directing a movie, all other distractions and concerns fade away. This encapsulates the passion and immersion in the art of storytelling, illustrating how film directing demands full attention and passion, creating a temporary world where nothing else holds importance.
In practice
Using this quote in a speech at a film festival to emphasize the passion behind filmmaking.
At my age the only problem is with remembering names. When I call everyone darling, it has damn all to do with passionately adoring them, but I know I'm safe calling them that. Although, of course, I adore them too.
I think it is obscene that we should believe that we are entitled to end somebody's life, no matter what that person has supposedly done or not done.
I never want to make the kind of film whose impact ends when the audience leaves the cinema.
There's nothing more important in making movies than the screenplay.
You act in a movie, and at the end of the day, the director and editor decide what your performance is.
Throughout my life, I always remember that consideration of people who were less fortunate than we. We lived in an atmosphere of awareness, and we certainly did not live a life whereby we ignored, or felt that we could ignore, that which was in evidence around us.
Be a good craftsman; it won't stop you from being a genius.
There's a certain grain of stupidity that the writer of fiction can hardly do without, and this is the quality of having to stare, of not getting the point at once. The longer you look at one object, the more of the world you see in it; and it's well to remember that the serious fiction writer always writes about the whole world.
As the centuries unfold, millions of artists will live on the moon and paint the moon and Mars as we go out into the universe.
The army from Asia introduced a foreign luxury to Rome; it was then the meals began to require more dishes and more expenditure . . . the cook, who had up to that time been employed as a slave of low price, become dear: what had been nothing but a metier was elevated to an art.
Sweet bird, that shun the noise of folly, most musical, most melancholy!
The larger-than-life thing is definitely what I'm after. I've always drawn dark stories. Occasionally, I'll try a perfect hero, but it's a real stretch for me. I like 'em warts and all, and obsessive and weird.
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