At my age the only problem is with remembering names. When I call everyone darling, it has damn all to do with passionately adoring them, but I know I'm safe calling them that. Although, of course, I adore them too.
Richard AttenboroughRead
When I'm directing a movie, nothing else matters.
Interpretation
The quote expresses a deep commitment and singular focus that comes with directing a film.
Richard Attenborough highlights the intensity of his dedication to filmmaking, suggesting that while he is in the creative process of directing a movie, all other distractions and concerns fade away. This encapsulates the passion and immersion in the art of storytelling, illustrating how film directing demands full attention and passion, creating a temporary world where nothing else holds importance.
In practice
Using this quote in a speech at a film festival to emphasize the passion behind filmmaking.
At my age the only problem is with remembering names. When I call everyone darling, it has damn all to do with passionately adoring them, but I know I'm safe calling them that. Although, of course, I adore them too.
I think it is obscene that we should believe that we are entitled to end somebody's life, no matter what that person has supposedly done or not done.
I never want to make the kind of film whose impact ends when the audience leaves the cinema.
There's nothing more important in making movies than the screenplay.
You act in a movie, and at the end of the day, the director and editor decide what your performance is.
Throughout my life, I always remember that consideration of people who were less fortunate than we. We lived in an atmosphere of awareness, and we certainly did not live a life whereby we ignored, or felt that we could ignore, that which was in evidence around us.
The curves of your lips rewrite history.
There is always shame in the creation of an expressive work, whether it's a book or a clay pot. Every artist worries about how they will be seen by others through their work. When you create, you aspire to do justice to yourself, to remake yourself, and there is always the fear that you will expose the very thing that you hoped to transform.
The architect works for so many years building it, and the moment you deliver it to the people is the moment when you are unnecessary.
When you're a performer, of course you want an audience, but it's very, very different from courting fame.
My favorite piece [piece of music] is the one we hear all the time if we are quiet.
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and then was taken (at age eight) to hear Pons at a Met performance of Lakme. It was at that moment that I decided to become an opera star. Not just an opera singer, but an opera star!
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