There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.
John CarpenterRead
It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.
Interpretation
Horror films have evolved, yet there remains an audience for serious narratives in this genre.
In this quote, John Carpenter reflects on the shifting landscape of the horror film industry, acknowledging that while trends may change, there is still significant potential for serious and impactful horror storytelling. He emphasizes the importance of authentic horror experiences, using the film '28 Days Later' as an example of a work that takes the genre seriously rather than relying on humor or ironic detachment.
In practice
In a film class discussion, I referenced Carpenter's quote to emphasize the importance of depth in horror storytelling.
There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.
What scares me is what scares you. We're all afraid of the same things. That's why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you'll know what frightens me.
Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.
There is one thing that freezes a musician more than the deadliest physical cold, and that is the spiritual chill of an unresponsive audience!
I sit in the dark and wait for a little flame to appear at the end of my pencil.
A photograph is a secret about a secret. The more it tells you the less you know.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
I wish you would recollect that Painting and Punctuality mix like Oil and Vinegar, and that Genius and regularity are utter Enemies and must be to the end of time.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can possess (and be possessed by) images β as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
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