There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.
John CarpenterRead
It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.
Interpretation
Horror films have evolved, yet there remains an audience for serious narratives in this genre.
In this quote, John Carpenter reflects on the shifting landscape of the horror film industry, acknowledging that while trends may change, there is still significant potential for serious and impactful horror storytelling. He emphasizes the importance of authentic horror experiences, using the film '28 Days Later' as an example of a work that takes the genre seriously rather than relying on humor or ironic detachment.
In practice
In a film class discussion, I referenced Carpenter's quote to emphasize the importance of depth in horror storytelling.
There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.
What scares me is what scares you. We're all afraid of the same things. That's why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you'll know what frightens me.
Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.
The Moon, the dried weeds and the Pleiades - Seven feet tall the dark, dried weed stalks make a part of the night a red lace on the milky blue sky
I first knew Laurie Lewis by her considerable reputation as a fiddle player and a writer of songs. When an opportunity came along to sing with her I seized it. Getting to know her as a singer and a person has been pure pleasure. Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.
Iβve been accused of βrapingβ the audience in my films, and I admit to that freely β all movies assault the viewer in one way or another.
Genres aren't closed boxes. Stuff flows back and forth across the borders all the time.
More than anything else, though, to anyone who would write about it, golf offers a four-hour drama in two acts, which becomes memorable even in the tape-recorded reminiscenses of old champs, and which - in the hands of someone like Herb Wind - can become a piece of war correspondence as artfully controlled as Alan Morehead's account of Gallipoli.
No good poem, however confessional it may be, is just a self-expression. Who on earth would claim that the pearl expresses the oyster?
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