Showing your femininity should help your career and not go against your career. Dressing like a man, using the suit to look powerful - that was the '80s, and that didn't help women.
Donatella VersaceRead
We shouldn't be copying what we see. We should try to find our own sense of style, to believe in ourselves.
Interpretation
Embrace your individuality instead of imitating others.
Donatella Versace emphasizes the importance of self-expression and originality in one's approach to style. Rather than simply mimicking what is already visible in the world, individuals should cultivate their own unique sense of identity and have confidence in it, thereby creating a personal style that reflects who they truly are.
In practice
During a fashion workshop, you can use this quote to inspire participants to explore their unique fashion sense.
Showing your femininity should help your career and not go against your career. Dressing like a man, using the suit to look powerful - that was the '80s, and that didn't help women.
Plus-sized women shouldn't think of themselves as a size. They should think of themselves as women with rich goals in life. Size doesn't mean, really, anything. You can carry your size with pride and dress in a way that you like.
I have to say, I grew up with fashion because my mother was a seamstress, and she had an atelier. She would cut the first pattern, and then she had people working for her. So I grew up in an atelier, watching people all around me sewing. I was fascinated.
A business woman needs a successful mix of design and practicality. I look for that special piece that sets the watch apart from the norm. I want to have something unique that differentiates itself with style and glamour.
Fashion needs fresh blood, and London is the most creative place for that.
On a hanger, no dress is sexy. It's just fabric on a hanger.
My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.
I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.
I remember the Chillicothe ballplayers grappling the Long Island ball players in a sixteen-inning game ended by darkness. And the shoulders of the Chillicothe players were a red smoke against the sundown and the shoulders of the Rock Island players were a yellow smoke against the sundown. And the umpire's voice was hoarse calling balls and strikes and outs and the umpire's throat fought in the dust for a song.
We are living in a world where the individual must learn to command the raw materials of expression. He must not be dependent all the time on the ready-made, the finished product. It's the transferring, the changing of the raw into what is the expression of your own self β the whole joy and satisfaction and frustration of life is built into this.
Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house.
Cheat your landlord if you can -- and must -- but do not try to shortchange the Muse.
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