Perhaps in ten thousand years, the starry sky that humankind gazes upon will remain empty and silent. But perhaps tomorrow we'll wake up and find an alien spaceship the size of the Moon parked in orbit.
Liu CixinRead
I am a conventional science fiction author. But that said, once your work is published, it no longer belongs to you. It belongs to the readers and they will derive all sorts of interpretations.
Interpretation
Once published, a work of art takes on a life of its own, belonging to its audience.
Liu Cixin highlights the transformative nature of literature and art, emphasizing that once a creator shares their work with the public, it becomes open to interpretation by others. This idea reflects the dynamic relationship between authors and readers, where the audience's perceptions may diverge significantly from the author’s original intentions.
In practice
During a lecture on literary interpretation, this quote could showcase the shift of ownership from writer to reader.
Perhaps in ten thousand years, the starry sky that humankind gazes upon will remain empty and silent. But perhaps tomorrow we'll wake up and find an alien spaceship the size of the Moon parked in orbit.
In the century-long history of Chinese science fiction, apocalyptic themes were mostly absent. This was especially true in the period before the 1990s, when Chinese science fiction, isolated from the influence of the West, developed on its own.
The main difficulty is finding an idea that really excites me. We live in an age when miracles are no longer miracles, and science and the future are losing their sense of mystery. For science fiction, or at least the type of science fiction I write, this development is almost fatal, but I'm still giving it all I've got.
I'm absolutely positive about human survival. We will continue to develop our civilisation and expand not just on Earth, but also across the solar system, the galaxy, even the entire universe.
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.
You can't improvise without a skeletal structure; you can't just go in and start talking. This is a very misunderstood craft because no one else makes movies like this.
I think the moment you start trying to please a fan base is when you start going downhill. I'm going to always, always write about what I want, even if it doesn't necessarily cater to most of them.
Do people choose the art that inspires them — do they think it over, decide they might prefer the fabulous to the real? For me, it was those early readings of fairy tales that made me who I was as a reader and, later on, as a storyteller.
I want to make films without a single clear message, and films that are as close as possible to what it feels like to be alive. At least to me.
The best thing about acting is that I get to lose myself in another character and actually get paid for it. As for myself, I'm not really sure who I am. I change every day.
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