I am a conventional science fiction author. But that said, once your work is published, it no longer belongs to you. It belongs to the readers and they will derive all sorts of interpretations.
In the century-long history of Chinese science fiction, apocalyptic themes were mostly absent. This was especially true in the period before the 1990s, when Chinese science fiction, isolated from the influence of the West, developed on its own.
Interpretation
What this quote means
This quote highlights the unique development of Chinese science fiction, particularly its lack of apocalyptic themes prior to the 1990s.
Liu Cixin points out that for much of its history, Chinese science fiction did not focus on apocalyptic themes, especially before the 1990s when the genre evolved independently of Western influences. This reflects a broader cultural narrative and suggests that national contexts significantly shape literary outputs, demonstrating how different societies can perceive and construct futures distinctively.
Themes
In practice
Example use cases
During a discussion on the evolution of science fiction, one might quote Liu Cixin to emphasize the cultural uniqueness of different literary traditions.
More from Liu Cixin
All quotes →Perhaps in ten thousand years, the starry sky that humankind gazes upon will remain empty and silent. But perhaps tomorrow we'll wake up and find an alien spaceship the size of the Moon parked in orbit.
The main difficulty is finding an idea that really excites me. We live in an age when miracles are no longer miracles, and science and the future are losing their sense of mystery. For science fiction, or at least the type of science fiction I write, this development is almost fatal, but I'm still giving it all I've got.
I'm absolutely positive about human survival. We will continue to develop our civilisation and expand not just on Earth, but also across the solar system, the galaxy, even the entire universe.
Similar quotes
Every other author may aspire to praise; the lexicographer can only hope to escape reproach.
When I read something saying I've not done anything as good as 'Catch-22' I'm tempted to reply, 'Who has?'
A novel is not moral in the usual sense of the word. It can be called moral when it shakes us out of our stupor and makes us confront the absolutes we believe in.
I wrote The Grapes of Wrath in one hundred days, but many years of preparation preceded it.
Listen closely. There’s a remote possibility that you might learn something: First, I don’t give a damn if my work is commercial or not…I’m the writer. If what I write is good, then people will read it. That’s why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don’t believe in yourself.
After I won the Newbery Medal for 'From the Mixed-up Files of Mrs. Basil E. Frankweiler,' children all over the world let me know that they liked books that take them to unusual places where they meet unusual people.