The deepest quality of a work of art will always be the quality of the mind of the producer...No good novel will ever proceed from a superficial mind.
Henry JamesRead
Her reputation for reading a great deal hung about her like the cloudy envelope of a goddess in an epic.
Interpretation
The quote suggests that the subject's extensive reading gives her an almost mythical quality, enhancing her reputation.
In this quote, Henry James illustrates how the act of reading can elevate a person's status, likening it to the divine aura often associated with goddesses in epic tales. The imagery of a 'cloudy envelope' suggests that her knowledge and intellect create a compelling and almost ethereal presence, indicating that reading enriches a person's identity and impact in the world.
In practice
In a speech about the importance of literature, one might include this quote to emphasize how reading shapes our identities.
The deepest quality of a work of art will always be the quality of the mind of the producer...No good novel will ever proceed from a superficial mind.
What is character but the determination of incident? What is incident but the illustration of character?
Never say you know the last word about any human heart.
I adore adverbs; they are the only qualifications I really much respect.
We care what happens to people only in proportion as we know what people are.
A swift carriage, of a dark night, rattling with four horses over roads that one can’t see--that’s my idea of happiness.
The only imaginative prose writer of the slightest value who has appeared among the English-speaking races for some years past.
It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham. He was always so entirely there.
The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature.
I emphasize the distinction between brackets and no brackets because it will affect your reading experience, if you will allow it. Brackets are exciting. Even though you are approaching Sappho in translation, that is no reason you should miss the drama of trying to read a papyrus torn in half or riddled with holes or smaller than a postage stamp--brackets imply a free space of imaginal adventure.
When we're done with it, we may find—if it's a good novel—that we're a bit different from what we were before we read it, that we have been changed a little, as if by having meet a new face, crossed a street we've never crossed before.
I know I'm a rare person, a trained scientist who writes fiction, because so few contemporary novelists engage with science.
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