Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Barbara KingsolverRead
I know I'm a rare person, a trained scientist who writes fiction, because so few contemporary novelists engage with science.
Interpretation
Barbara Kingsolver expresses her uniqueness as a writer who merges the fields of science and fiction.
In this quote, Barbara Kingsolver highlights her uncommon position as a trained scientist who also writes novels. She points out that few contemporary authors actively incorporate scientific concepts into their storytelling, suggesting that her dual expertise allows her to offer a distinctive perspective that blends the analytical nature of science with the creativity of fiction.
In practice
In a discussion about the relationship between literature and science, Kingsolver's quote can emphasize the importance of interdisciplinary approaches.
Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Children can be your heartache. But that doesn't matter, you have to go on and have them . . . it works out.
I'm of a fearsome mind to throw my arms around every living librarian who crosses my path, on behalf of the souls they never knew they saved.
I did it to win love, and to prove myself capable. Not to move mountains. In my opinions, mountains don't move. They only look changed when you look down on them from great height.
Memory is a complicated thing, a relative to truth, but not its twin.
Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own.
I've been asked this question so many times, do you feel you need to write a book for adults? No, I don't need to write a book for adults.
To say that such-and-such a circumstance is 'Kafkaesque' is to admit to the denigration of an imagination that has burned a hole in what we take to be modernism - even in what we take to be the ordinary fabric and intent of language. Nothing is like 'The Hunger Artist.' Nothing is like 'The Metamorphosis.'
Fiction is history, human history, or it is nothing.
When 'Midnight's Children' came out, people in the West tended to respond to the fantasy elements in the novel, to praise it in those terms. In India, people read it like a history book.
I sent The World Well Lost to one editor who rejected it on sight, and then wrote a letter to every other editor in the field warning them against the story, and urging them to reject it on sight without reading it.
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
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