By all means continue destroying my possessions. I daresay I have too many.
J. K. RowlingRead
I've been asked this question so many times, do you feel you need to write a book for adults? No, I don't need to write a book for adults.
Interpretation
J.K. Rowling expresses her contentment with her current writing focus and dismisses external pressure to write for a different audience.
In this quote, J.K. Rowling addresses the repeated inquiry about whether she feels the necessity to write a book specifically for adults. Her firm response illustrates her satisfaction with her current works and the value of writing what resonates with her rather than conforming to external expectations or pressures to change her audience.
In practice
In a panel discussion on creative writing, this quote emphasizes the importance of staying true to one's voice.
By all means continue destroying my possessions. I daresay I have too many.
Where are you heading, if you’ve got the choice?” James lifted an invisible sword. “‘Gryffindor, where dwell the brave at heart!’ Like my dad.” Snape made a small, disparaging noise. James turned on him. “Got a problem with that?” “No,” said Snape, though his slight sneer said otherwise. “If you’d rather be brawny than brainy —” “Where’re you hoping to go, seeing as you’re neither?” interjected Sirius.
Depression isn't just being a bit sad. It's feeling nothing. It's not wanting to be alive anymore.
I tell you, that dragon's the most horrible animal I've ever met, but the way Hagrid goes on about it, you'd think it was a fluffy little bunny rabbit.
Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn't it?
The consequences of our actions are always so complicated, so diverse, that predicting the future is a very difficult business indeed.
It is not the voice that commands the story: it is the ear.
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
Most of the female characters I admire come from science fiction and fantasy, maybe because there's more permission to shake up gender roles in genre.
Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it.
Fiction is the only way I know a human being can inhabit the mind of another human being.
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
Subscribe for the occasional hand-picked quote. No noise.