There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
H. P. LovecraftRead
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
Interpretation
A strong ending is important in storytelling, as it leaves a lasting impression on the audience.
In this quote, H. P. Lovecraft emphasizes the significance of a compelling conclusion in storytelling. He suggests that a story's ending should be impactful and resonant, overshadowing the beginning to ensure that the audience remembers the narrative vividly. The end is pivotal as it often determines the audience's overall experience and understanding of the story, encapsulating its themes and providing closure.
In practice
In a writing workshop to emphasize the importance of crafting a strong ending.
There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
I know always that I am an outsider; a stranger in this century and among those who are still men.
Searchers after horror haunt strange, far places.
The process of delving into the black abyss is to me the keenest form of fascination.
No new horror can be more terrible than the daily torture of the commonplace.
I am, indeed, an absolute materialist so far as actual belief goes; with not a shred of credence in any form of supernaturalism—religion, spiritualism, transcendentalism, metempsychosis, or immortality.
Literature exists at the same time in the modes of error and truth; it both betrays and obeys its own mode of being.
Race is the true protagonist of the American novel. Our most popular classic fictions have known this, from 'Moby Dick' to 'Beloved;' all these books take on race or talk it out, often in other forms; they are less 'horror stories for boys' than ghost stories from a haunted conscience.
Literature overtakes history, for literature gives you more than one life. It expands experience and opens new opportunities to readers.
We all fear loneliness, madness, dying. Shakespeare and Walt Whitman, Leopardi and Hart Crane will not cure those fears. And yet these poets bring us fire and light.
To say that such-and-such a circumstance is 'Kafkaesque' is to admit to the denigration of an imagination that has burned a hole in what we take to be modernism - even in what we take to be the ordinary fabric and intent of language. Nothing is like 'The Hunger Artist.' Nothing is like 'The Metamorphosis.'
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
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