There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
H. P. LovecraftRead
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
Interpretation
A strong ending is important in storytelling, as it leaves a lasting impression on the audience.
In this quote, H. P. Lovecraft emphasizes the significance of a compelling conclusion in storytelling. He suggests that a story's ending should be impactful and resonant, overshadowing the beginning to ensure that the audience remembers the narrative vividly. The end is pivotal as it often determines the audience's overall experience and understanding of the story, encapsulating its themes and providing closure.
In practice
In a writing workshop to emphasize the importance of crafting a strong ending.
There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
I know always that I am an outsider; a stranger in this century and among those who are still men.
Searchers after horror haunt strange, far places.
The process of delving into the black abyss is to me the keenest form of fascination.
No new horror can be more terrible than the daily torture of the commonplace.
I am, indeed, an absolute materialist so far as actual belief goes; with not a shred of credence in any form of supernaturalism—religion, spiritualism, transcendentalism, metempsychosis, or immortality.
You want in all cases for the story to get through the writing.
For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.
You could compile the worst book in the world entirely out of selected passages from the best writers in the world.
The problem with fiction, it has to be plausible. That's not true with non-fiction.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
Last Exit to Brooklyn should explode like a rusty hellish bombshell over America and still be eagerly read in a hundred years.
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