The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
Paul De ManRead
Literature exists at the same time in the modes of error and truth; it both betrays and obeys its own mode of being.
Interpretation
Literature reflects both reality and fiction, revealing deeper truths through artistic expression.
In this quote, Paul De Man suggests that literature embodies a dual existence, simultaneously presenting both errors and truths. It acts as a mirror to human experience, capturing the complexities of existence. By navigating through narratives that may be misleading or inaccurate, literature ultimately serves to illuminate profound truths about life, humanity, and the world we inhabit.
In practice
In a book club discussion, one might use this quote to illustrate the complexity of interpreting literary themes.
The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
Curiously enough, it seems to be only in describing a mode of language which does not mean what it says that one can actually say what one means.
There were thousands of brown books in leather bindings, some chained to the book-shelves and others propped against each other as if they had had too much to drink and did not really trust themselves. These gave out a smell of must and solid brownness which was most secure.
There is no future for e-books, because they are not books. E-books smell like burned fuel.
There is something called the rapture of the deep, and it refers to what happens when a deep-sea diver spends too much time at the bottom of the ocean and can't tell which way is up. When he surfaces, he's liable to have a condition called the bends, where the body can't adapt to the oxygen levels in the atmosphere. All of this happens to me when I surface from a great book.
At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
My experience is that prose usually equals duty - last minute, overdue-deadline stuff or a panic lecture to be written.
I've been asked this question so many times, do you feel you need to write a book for adults? No, I don't need to write a book for adults.
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