The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
Paul De ManRead
Literature exists at the same time in the modes of error and truth; it both betrays and obeys its own mode of being.
Interpretation
Literature reflects both reality and fiction, revealing deeper truths through artistic expression.
In this quote, Paul De Man suggests that literature embodies a dual existence, simultaneously presenting both errors and truths. It acts as a mirror to human experience, capturing the complexities of existence. By navigating through narratives that may be misleading or inaccurate, literature ultimately serves to illuminate profound truths about life, humanity, and the world we inhabit.
In practice
In a book club discussion, one might use this quote to illustrate the complexity of interpreting literary themes.
The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
Curiously enough, it seems to be only in describing a mode of language which does not mean what it says that one can actually say what one means.
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
People without hope not only don't write novels, but what is more to the point, they don't read them.
He didn't want to please his readers. He wanted to stretch them until they twanged.
As soon as histories are properly told there is no more need of romances.
There are three difficulties in authorship; to write any thing worth the publishing β to find honest men to publish it β and to get sensible men to read it.
In literature the ambition of the novice is to acquire the literary language; the struggle of the adept is to get rid of it.
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