The job of the writer is to take a close and uncomfortable look at the world they inhabit, the world we all inhabit, and the job of the novel is to make the corpse stink.
Walter MosleyRead
At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
Interpretation
The quote discusses the evolving standards and opportunities for black writers over time.
Walter Mosley reflects on the historical context in which black writers had to excel beyond their peers to gain recognition and publication. In contrast, he notes that current standards have shifted, allowing for a broader range of talent, including those who may be considered mediocre, to find a place in the literary world. This change signifies progress and greater inclusivity in the publishing industry.
In practice
This quote could be shared during a panel discussion on diversity in literature.
The job of the writer is to take a close and uncomfortable look at the world they inhabit, the world we all inhabit, and the job of the novel is to make the corpse stink.
My father cared about the world he lived in, and so he admitted his confusion about his place in America because he didn't want me to make the same mistake in my life.
Many & most moments go by with us hardly aware of their passage. But love & hate & fear cause time to snag you, to drag you down like a spider's web holding fast to a doomed fly's wings. And when you're caught like that you're aware of every moment & movement & nuance.
We are not trapped or locked up in these bones. No, no. We are free to change. And love changes us. And if we can love one another, we can break open the sky.
All writing is that structure of revelation. There's something you want to find out. If you know everything up front in the beginning, you really don't need to read further if there's nothing else to find out.
The process of writing a novel is like taking a journey by boat. You have to continually set yourself on course. If you get distracted or allow yourself to drift, you will never make it to the destination. It's not like highly defined train tracks or a highway; this is a path that you are creating discovering. The journey is your narrative. Keep to it and there will be a tale told.
The cry that 'fantasy is escapist' compared to the novel is only an echo of the older cry that novels are 'escapist' compared with biography, and to both cries one should make the same answer: that freedom to invent outweighs loyalty to mere happenstance, the accidents of history; and good readers should know how to filter a general applicability from a particular story.
Only in the mystery novel are we delivered final and unquestionable solutions. The joke to me is that fiction gives you a truth that reality can't deliver.
I get a lot of moral guidance from reading novels, so I guess I expect my novels to offer some moral guidance, but they're not blueprints for action, ever.
All modern American literature comes from one book by Mark Twain called Huckleberry Finn.
There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature.
When I read interviews with people like Kevin Barry or Colin Barrett, who I hugely admire, they don't really seem to come up against the question of likeability even though their characters, in some instances, are really horrible.
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