The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Italo CalvinoRead
You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler.
Interpretation
This quote introduces a journey into a new literary experience, emphasizing the beginnings of a narrative.
The quote signifies the initiation of a reading adventure, inviting readers to immerse themselves into Italo Calvino's intricate storytelling. As 'If on a winter's night a traveler' draws you in, it symbolizes not only the start of a book but also the transformative experience that literature can provide, encouraging an exploration of imagination and narrative structures.
In practice
Using this quote at a book club to emphasize the excitement of starting a new book.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.
...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.
Nobody these days holds the written word in such high esteem as police states do.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you canβt make anything.
Walter Scott has no business to write novels, especially good ones. It is not fair. He has fame and profit enough as a poet, and should not be taking the bread out of the mouths of other people.
There is something I keep wanting to say about reading short stories. I am doing it now, because I many never have another occasion. Stories are not chapters of novels. They should not be read one after another, as if they were meant to follow along. Read one. Shut the book. Read something else. Come back later. Stories can wait.
I've read everything Thomas Wolfe ever wrote; my brother and I memorized whole chapters of 'You Can't Go Home Again' and 'Look Homeward, Angel.'
From fire, water, the passage of time, neglectful readers, and the hand of the censor, each of my books has escaped to tell me its story.
If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard?
Every individual ought to know at least one poet from cover to cover: if not as a guide through the world, then as a yardstick for the language.
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