She doesn't do the things heroines are supposed to. Which is rather Jane Austen's point - Fanny is her subversive heroine. She is gentle and self-doubting and utterly feminine; and given the right circumstances, she would defy an army.
Interpretation
This quote highlights the unconventional nature of Fanny, a character who embodies femininity while possessing the strength to defy expectations.
In this quote, Susanna Clarke discusses Fanny, a character who does not conform to traditional heroic ideals. Instead of being a typical action-oriented heroine, Fanny is portrayed as gentle and self-reflective, embodying femininity while still possessing an underlying strength that could challenge greater forces when necessary. This subversion of typical gender roles not only reflects Jane Austen's narrative style but also invites readers to appreciate strength in gentleness and self-doubt.
In practice
Use this quote in a discussion about female characters in literature.
But when the fairy sang the whole world listened to him. Stephen felt clouds pause in their passing; he felt sleeping hills shift and murmur; he felt cold mists dance. He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands. In the fairy’s song the earth recognized the names by which it called itself.
It is these black clothes," said Strange. "I am like a leftover piece of funeral, condemned to walk about the Town, frightening people into thinking of their own mortality.
Houses, like people, are apt to become rather eccentric if left too much on their own; this house was the architectural equivalent of an old gentleman in a worn dressing-gown and torn slippers, who got up and went to bed at odd times of day, and who kept up a continual conversation with friends no one else could see.
I could always imagine more interesting places to be than where I was. And more interesting people than me being there. Eventually, this led to making up stories and writing things down.
All books are doors; and some of them are wardrobes.
Literature is a defense against the attacks of life. It says to life: You can't deceive me. I know your habits, foresee and enjoy watching all your reactions, and steal your secret by involving you in cunning obstructions that halt your normal flow.
Is 'The Wind in the Willows' a children's book? Is 'Alice in Wonderland?' Is 'Treasure Island?' These are masterpieces which we read with pleasure as children, but with how much more pleasure when we are grown-up.
When I wrote 'Lord of the Flies' - I had no idea it would even get published.
I found literary idols in Adrienne Kennedy, Nella Larsen, and Ntozake Shange, writers who'd dared to locate a sanctioned, forbidden space between white vulnerability and black invincibility.
All novels are fantasies. Some are more honest about it.
A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.
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