The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Italo CalvinoRead
The things that the novel does not say are necessarily more numerous than those it does say and only a special halo around what is written can give the illusion that you are reading also what is not written.
Interpretation
Calvino emphasizes that the unsaid aspects of a novel hold significant importance, shaping the reader's interpretation.
Italo Calvino's quote suggests that a novel's power lies not only in its explicit narrative but also in what is left unsaid. The implicit meanings and the silence surrounding certain themes create a deeper understanding, allowing the reader to perceive layers of meaning that are not directly articulated. This 'special halo' implies that reading is an active process where readers engage with the text and fill in gaps with their imagination and interpretation.
In practice
In a literature class discussing the depth of a novel's narrative.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.
...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.
Nobody these days holds the written word in such high esteem as police states do.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you can’t make anything.
Poe was the first writer to write about main characters who were bad guys or who were mad guys, and those are some of my favorite stories.
To Southerners like my mother, 'Gone With the Wind' was not just a book; it was an answer, a clenched fist raised to the North, an anthem of defiance.
The central problem of novel-writing is causality.
In a word, literature is my Utopia. Here I am not disfranchised. No barrier of the senses shuts me out from the sweet, gracious discourse of my book-friends. They talk to me without embarrassment or awkwardness. The things I have learned and the things I have been taught seem of ridiculously little importance compared with their "large loves and heavenly charities.
Over-certified adjectives are the mark of most best-seller writing
People in my novels always have terrible problems. If they are not terrible, I make them more terrible.
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