It is good to have an end to journey towards; but it is the journey that matters, in the end.
Ursula K. Le GuinRead
I get a lot of moral guidance from reading novels, so I guess I expect my novels to offer some moral guidance, but they're not blueprints for action, ever.
Interpretation
Novels can provide moral insights, but they shouldn't dictate our actions.
In this quote, Ursula K. Le Guin expresses her belief that while novels can offer valuable moral lessons and reflections, they are not meant to serve as strict guides for behavior. Instead, they should be seen as prompts for thought and personal interpretation rather than definitive blueprints that determine how one should act in reality.
In practice
In a book club discussion about the moral themes in a novel.
It is good to have an end to journey towards; but it is the journey that matters, in the end.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
Reason is a faculty far larger than mere objective force. When either the political or the scientific discourse announces itself as the voice of reason, it is playing God, and should be spanked and stood in the corner.
The only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.
We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
When he found that the administrators were upset, he laughed. “Do they expect students not to be anarchists?” he said. “What else can the young be? When you are on the bottom, you must organize from the bottom up
I still believe nonfiction is the most important literature to come out of the second half of the 20th century.
Even though I read voraciously as a child, I never saw myself in books. Without narratives to expand my ideas of who I could be, I accepted the stories others told me about myself, stories which diminished and belittled me and people like me. I want to write against that.
The problem with most genre fantasy is that it's not nearly fantastic enough. It's escapist, but it can't escape.
Not very good, I am afraid. But now really, do not you think Udolpho the nicest book in the world?" "The nicest—by which I suppose you mean the neatest. That must depend upon the binding.
It's difficult to tell the truth about how a book begins. The truth, as far as it can be presented to other people, is either wholly banal or too intimate.
There was, in my view, an unwritten contract with the reader that the writer must honour. No single element of an imagined world or any of its characters should be allowed to dissolve on an authorial whim. The invented had to be as solid and as self-consistent as the actual. This was a contract founded on mutual trust.
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