No machines will ever truly fully figure the brain out, because the brain's performance is constantly altered or else constrained by this inanimate, rogue artifact you can't control, namely, speech.
Tom WolfeRead
I still believe nonfiction is the most important literature to come out of the second half of the 20th century.
Interpretation
What this quote means
Tom Wolfe emphasizes the significance of nonfiction in modern literature.
In this quote, Tom Wolfe expresses his conviction that nonfiction literature has played a crucial role in shaping cultural and societal understandings during the latter part of the 20th century. He suggests that the truthful accounts and explorations found in nonfiction exceed the imaginative narratives of fiction in their importance and influence on readers and society as a whole.
Themes
NonfictionLiteratureImportance20Th CenturyTruth
In practice
Example use cases
In a discussion about the relevance of books in today's society, this quote can highlight the value of nonfiction.
More from Tom Wolfe
All quotes βAnd - of course! - the Non-people. The whole freaking world was full of people who were bound to tell you they weren't qualified to do this or that but they were determined to go ahead and do just that thing anyway.
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The whole conviction of my life now rests upon the belief that loneliness, far from being a rare and curious phenomenon, peculiar to myself and to a few other solitary men, is the central and inevitable fact of human existence.
Tom WolfeRead
Driving a stock car does not require much handling ability, at least not as compared to Grand Prix racing, because the tracks are simple banked ovals and there is almost no shifting of gears. So, qualifying becomes a test of raw nerve - of how fast a man is willing to take a curve.
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I have discovered that for me - now, maybe it doesn't work for everybody - for me, it is much more effective to arrive at any situation as a man from Mars than to try to fit in.
Tom WolfeRead
There has been a time on earth when poets had been young and dead and famous - and were men. But now the poet as the tragic child of grandeur and destiny had changed. The child of genius was a woman, now, and the man was gone.
Tom WolfeRead
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Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
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We need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us.
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There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature.
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I always felt a little worm inside me: 'Now you need to write a novel with a woman protagonist.'
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I've read everything Thomas Wolfe ever wrote; my brother and I memorized whole chapters of 'You Can't Go Home Again' and 'Look Homeward, Angel.'
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I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique.
Ken LiuRead