Our business in life is not to succeed, but to continue to fail in good spirits.
Robert Louis StevensonRead
The most influential books, and the truest in their influence, are works of fiction. They repeat, they re-arrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, but with a singular change-that monstrous, consuming ego of ours being, nonce, struck out.
Interpretation
Fictional works profoundly influence our understanding of life by connecting us to others and providing insights beyond ourselves.
Robert Louis Stevenson emphasizes the transformative power of fiction, suggesting that the most impactful books are those that allow readers to gain insight into life and human experiences. Through engaging narratives, fiction helps us step outside our own egos, fosters empathy, and deepens our understanding of the world and those around us, providing clarity on life's complexities and our interconnectedness.
In practice
A book club discussion on how fiction shapes our understanding of human relationships.
Our business in life is not to succeed, but to continue to fail in good spirits.
Like a bird singing in the rain, let grateful memories survive in time of sorrow.
That man is a success who has lived well, laughed often and loved much.
His past was fairly blameless; few men could read the rolls of their life with less apprehension; yet he was humbled to the dust by the many ill things he had done, and raised up again into sober and fearful gratitude by the many he had come so near to doing, yet avoided.
The habit of being happy enables one to be freed, or largely freed, from the domination of outward conditions.
It is the history of our kindnesses that alone make this world tolerable. If it were not for that, for the effect of kind words, kind looks, kind letters . . . I should be inclined to think our life a practical jest in the worst possible spirit.
My mother, Southern to the bone, once told me, “All Southern literature can be summed up in these words: ‘On the night the hogs ate Willie, Mama died when she heard what Daddy did to Sister.’” She raised me up to be a Southern writer, but it wasn’t easy.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
Short fiction and the novel, nonfiction and fiction, electronic texts and books - these are not opposites. One need not destroy the other to survive.
As a reader I loathe introductions...Introductions inhibit pleasure, they kill the joy of anticipation, they frustrate curiosity.
Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
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