Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Barbara KingsolverRead
Fiction and essays can create empathy for the theoretical stranger.
Interpretation
Literature fosters understanding and compassion for people we don't know personally.
In her quote, Barbara Kingsolver highlights the power of fiction and essays to bridge the emotional gap between individuals. By engaging with written narratives, readers can cultivate empathy for those who may be vastly different from themselves, expanding their understanding of the human experience beyond their immediate circle.
In practice
In a book club discussion, you might reference this quote to emphasize the importance of diverse literature.
Sadness is more or less like a head cold - with patience, it passes. Depression is like cancer.
Children can be your heartache. But that doesn't matter, you have to go on and have them . . . it works out.
I'm of a fearsome mind to throw my arms around every living librarian who crosses my path, on behalf of the souls they never knew they saved.
I did it to win love, and to prove myself capable. Not to move mountains. In my opinions, mountains don't move. They only look changed when you look down on them from great height.
Memory is a complicated thing, a relative to truth, but not its twin.
Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own.
Even though I read voraciously as a child, I never saw myself in books. Without narratives to expand my ideas of who I could be, I accepted the stories others told me about myself, stories which diminished and belittled me and people like me. I want to write against that.
Until the 20th century it was generally assumed that a writer had said what he had to say in his works.
Great literature cannot grow from a neglected or impoverished soil. Only if we actually tend or care will it transpire that every hundred years or so we might get a Middlemarch.
The cry that 'fantasy is escapist' compared to the novel is only an echo of the older cry that novels are 'escapist' compared with biography, and to both cries one should make the same answer: that freedom to invent outweighs loyalty to mere happenstance, the accidents of history; and good readers should know how to filter a general applicability from a particular story.
From fire, water, the passage of time, neglectful readers, and the hand of the censor, each of my books has escaped to tell me its story.
Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.
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