The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Italo CalvinoRead
I don't believe chance can play a role in my literature.
Interpretation
It implies that the author believes in deliberate creation over randomness in writing.
Italo Calvino suggests that the process of writing literature is governed by intent and skill rather than sheer luck or coincidence. The statement emphasizes the importance of conscious choices made by the author in crafting stories, indicating that literature is a crafted art form requiring thoughtful engagement rather than relying on the whims of chance.
In practice
During a writing workshop, I shared Calvino's quote to emphasize the importance of deliberate storytelling.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.
...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.
Nobody these days holds the written word in such high esteem as police states do.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you canβt make anything.
All novels are sequels; influence is bliss.
We were trained as writers with the idea that literature is something that can change reality, that it's not just a very sophisticated entertainment but a way to act.
If the book is a mystery to its author as she's writing, inevitably it's going to be a mystery to the reader as he or she reads it.
I think there are more good sportswriters doing more good sportswriting than ever before. But I also believe that the one thing that's largely gone out is what made sport such fertile literary territory - the characters, the tales, the humor, the pain, what Hollywood calls 'the arc.'
It's in being read that a book becomes a book, and in each of a million different readings a book become one of a million different books . . .
One of the greatest things about writing as a profession is that the words of Tolstoy, Chesterton and Dostoyevsky have lived for a hundred years and are just as powerful today. Their words have changed me just as much as the people I actually met.
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