No machines will ever truly fully figure the brain out, because the brain's performance is constantly altered or else constrained by this inanimate, rogue artifact you can't control, namely, speech.
Tom WolfeRead
There has been a time on earth when poets had been young and dead and famous - and were men. But now the poet as the tragic child of grandeur and destiny had changed. The child of genius was a woman, now, and the man was gone.
Interpretation
The quote reflects on the changing role of poets and the artistic expression from men to women, highlighting a shift in cultural values.
Tom Wolfe's quote encapsulates a historical shift in the perception and role of poets in society. It acknowledges a time when male poets were celebrated figures, deeply influential and revered. However, he suggests that the essence of poetry and the ideals of genius have transformed, with women now embodying the artistic spirit that was once dominated by men, signaling a broader change in cultural and poetic values throughout history.
In practice
In a discussion about the evolution of literature at a book club meeting.
No machines will ever truly fully figure the brain out, because the brain's performance is constantly altered or else constrained by this inanimate, rogue artifact you can't control, namely, speech.
And - of course! - the Non-people. The whole freaking world was full of people who were bound to tell you they weren't qualified to do this or that but they were determined to go ahead and do just that thing anyway.
The whole conviction of my life now rests upon the belief that loneliness, far from being a rare and curious phenomenon, peculiar to myself and to a few other solitary men, is the central and inevitable fact of human existence.
Driving a stock car does not require much handling ability, at least not as compared to Grand Prix racing, because the tracks are simple banked ovals and there is almost no shifting of gears. So, qualifying becomes a test of raw nerve - of how fast a man is willing to take a curve.
I have discovered that for me - now, maybe it doesn't work for everybody - for me, it is much more effective to arrive at any situation as a man from Mars than to try to fit in.
To me, the great joy of writing is discovering. Most writers are told to write about what they know, but I still love the adventure of going out and reporting on things I don't know about.
Objects in pictures should so be arranged as by their very position to tell their own story.
I don't really understand why so many fantasy writers choose to focus on worlds that just seem strangely denuded. But to them, I guess it doesn't seem strange. And I guess that's their privilege. It isn't mine.
I have the vanity to think that every play I have written is different from the previous ones. Yet, even though they are written in a different way, they all deal with the same themes, the same preoccupations. 'Exit the King' is also 'The Bald Soprano.'
There is certainly no absolute standard of beauty. That precisely is what makes its pursuit so interesting.
I don't know what the hell I'm doing up there half the time. These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what technique means. But I do know what experience is. I know in my gut when I've done a scene right.
I like smart movies about smart people, and enjoy it when most of the facts are on the table and we can contemplate them together.
Subscribe for the occasional hand-picked quote. No noise.